HereÁ¢€â„¢s the problem with this second line of reasoning, though: until the advent of Star Wars, most fans didnÁ¢€â„¢t really care how films were made. everyday audience members who donÁ¢€â„¢t buy DVDs for the extras but rather just for the film itself. Other Fox films, like the much-ballyhooed The Wrestler, will also undergo this new “upgrading.” Many movie fans are in an uproar over the decision, while some feel that such a choice on the studioÁ¢€â„¢s part wonÁ¢€â„¢t really matter to the so-called Á¢€Å“layman,” i.e. The policy goes into effect on March 31 with the release of Best Picture winner Slumdog Millionaire (Fox’s “indie” division, Fox Searchlight, can at least lay claim to Slumdog, The Wrestler, and Juno in the past 15 months) and Marley & Me, one of the studioÁ¢€â„¢s only unqualified hits in ’08. This misguided attempt by Fox to force consumers to buy its DVDs in order to shore up flagging sales within the industry - and, more accurately, to force consumers to buy DVDs of crappy Fox releases like The Happening - is currently the subject of a hot debate across the Internet. This means that if you rent your DVDs from Blockbuster or some other store or service ( possibly Netflix - more on that in a second), you wonÁ¢€â„¢t have the option to decide if you like the extras enough to later buy the DVD - youÁ¢€â„¢ll be forced to buy them from stores, sight unseen, and have to hope that the extras are special enough to warrant the purchase of the disc, regardless of how you feel about the film. on DVDs of its films won’t be included on any discs designed for rental purposes. Now it’s reached a new low by revealing that from now on all extras - commentaries, background features, deleted scenes, etc. for profits from Watchmen, profits that Fox arguably didn’t deserve. For instance, it released The X-Files: I Want to Believe in the second week of The Dark KnightÁ¢€â„¢s phenomenal run last summer, not to mention about ten years after anyone - even hard-core Files fans - could bring themselves to care it interfered with the production of the Vin Diesel vehicle Babylon A.D., which, admittedly, would have probably failed no matter what and it spurred fanboy wrath by suing Warner Bros. While other studios were turning out blockbusters that earned $100 million like clockwork, Fox was fumbling the ball over and over again. In 2008, however, it went from a respected studio to one big joke, thanks to the fact that starting at the end of ’07 and continuing through all of ’08, the majority of the films it released either barely broke even or were outright box-office flops ( Space Chimps, Max Payne, Australia, Meet Dave, The Rocker, and City of Ember, among others). Its catalog of films is virtually legendary: Miracle on 34th Street (the 1947 version, not the 1994 remake), The Day the Earth Stood Still (the 1951 classic, not the crappy remake from last year), Gentlemen Prefer Blondes, The Seven Year Itch, the original Planet of the Apes film series, Young Frankenstein, the Star Wars films, the Alien series, The Princess Bride, Wall Street, Home Alone, Die Hard, and dozens of others. Starring Andy Samberg, Cheryl Hines, Patrick Warburton, Kristin Chenoweth.20th Century Fox used to be one of the most respected film studios in the business. Luckily for little ones, the banana-eating heroes come up with the right stuff. Probably more appropriate for the 12 and under crowd, Space Chimps tells a reasonably engaging story in spite of a few social and ethnic stereotypes (like bespectacled nerds and white, middle-aged politicians). The intervening comedic moments may not be entertaining enough for adults to go ape over but there are some fun moments for baby chimps that, thankfully, don’t all involve bathroom humor-although a couple of questionable moments include a veiled sexual remark and some terms of Deity. Later he (and young viewers) learns a few lessons about teamwork and humility. Staying true to his name, the protagonist frequently “hams” it up as he shifts his confidence into overdrive. However, a budding romance between Luna and Ham, and the increasingly hostile intentions of Zartog threaten to leave the hairy space travelers marooned on the strange orb forever. Confronting Zartog, they attempt to retake the probe and retrofit it for a bumpy ride home. Unable to reestablish communications with the command center, the stranded chimp-o-nauts don’t monkey around.
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